Showing posts with label Frank the Poet. Show all posts
Showing posts with label Frank the Poet. Show all posts

A Poetical Prisoner


The World's News (Sydney) Saturday 8 August 1903 p. 12.

A POETICAL PRISONER.

"Frank Keen" (Narrabri) writes:—
" 'A Poetical Prisoner' (issue of 'The World's News,' August 1) calls to memory recollections of on Frank Gallagher, familiarly known as 'Frank the Poet,' well-known about Sydney and Maitland 40 years ago.

He was a witty builder of verses. In fact, he more often spoke in rhyme than prose, and his impromptu lines from the dock, when charged with drunkenness (as he frequently was), often secured him an acquittal. Once, when before Captain Moriarty, he got off with

'I do confess I was rather hearty, and beg to be forgiven by Captain Moriarty.'

Also, to Captain Innes, who once gave him 14 days:

'Captain Innis, if you plaze, make it hours instead of days.'

I think he died in one of the asylums."

Notes

Francis MacNamara or Frank the Poet was famous for his extempore verse and epigrams and the two cited in this article are good examples. The second one appears in a number of versions using the names Captain Murray and Captain Logan rather than Captain Innes.

Paying A Debt


The Sydney Stock and Station Journal Friday 18 April 1902 p. 12.

PAYING A DEBT. (By "Socius.")
(Written for the “Stock and Station Journal.”)

Francis McNamara was a man who came out to Botany Bay in the early days for the benefit of his country and the good of himself. He was one of those mixed up in the political intrigues of the "Young Ireland Party," and for the part he took in such with Smith, O'Brien, and others he was "transported beyond the seas." He was well educated, and gifted with a quick perception and ready wit. His aptitude in rhyming gained for him the appellation of "Frank the Poet," and many stories used to be told by old hands of his smartness in getting out of a difficulty.

During a time that he was under Captain Logan at Moreton Bay he was frequently in trouble. On one occasion he was called to account for some misdeed, and asked why he should not be impri- soned for fourteen days. He answered promptly—

"Captain Logan, if you plaze,
 Make it hours instead of days."

And the Captain did.

On another occasion he was brought before Logan for inciting the other inmates of his hut to refuse a bullock's head that was being served to them as rations. Captain Logan, in a severe tone, asked him what he meant by generating a mutinous feeling among his fellows.

"Please, sir. I didn't" said Frank "I only advised my mates not to accept it as rations because there was no meat on it." "Well McNamara," said the Captain, "I am determined to check this insubordinate tendency in a way that I hope will be effective. At the same time, I am willing to hear anything you may have to say in defence before passing sentence on you."

"Sure, Captain." said Frank, "I know you are just, and merciful as well. Kindly let the head be brought in, and you will see yourself that it is nothing but skin and bone, and ain't got enough flesh on it to make a feed for one man. I only said we won't be satisfied with it for our ration." The Captain ordered the head to be brought, and when it was placed on the table he turned to Frank and said, ''There's the head. Now what about it?"

Frank advanced to the table, picked up a paper-cutter, and said to the Captain and those with him, "Listen, your honours, to the 'honey' ring it has," and, tapping it with the paper knife, recited in a loud tone the following lines : —

"Oh, bullock, oh, bullock, thou wast brought here,
After working in a team for many a year,
Subjected to the lash, foul language and abuse
And now portioned as food for poor convicts' use."

"Get out of my sight, you scoundrel," roared Logan, "and if you come before me again I'll send you to the triangle."

It is needless to say that Frank was quickly out of the room, chuckling to himself at his good luck. Some time after he was assigned to a squatter in New South Wales, and as was his wont, always in hot water. He was at last given a letter to take to the chief constable in the adjoining town.

Frank suspected the purport of the letter to be a punishment for him self, so he raked his brain in devising a means of escape. Having writing materials, and being an efficient penman, ho addressed a couple of envelopes, and, I putting them with the one he had received to give the officer, he started.

On the outskirts of the town he met a former acquaintance, who was on 'a ticket of leave,' and a stranger to the district. Frank had known him else where, and remembered him as a flogger : and on one occasion he had dropped the lash on himself.

Here was what Frank styled a heaven-sent chance, and it would be a sort of revenge for a past infliction if he succeeded in get ting this fellow to deliver the letter. So he sat down and chatted for a while, and pulling out the three envelopes, regretted that they could not have a drink together. If his business was finished, they could; but his master, he said was a Tartar, and it wouldn't be safe to neglect it. So he would have to deliver the letters first. "Perhaps I might be able to help you," said tho other. "Blest if I know," answered Frank, "it would be all right so long as the cove didn't find it out." "Oh, chance it," said the other, "and we can have another hour together."

Frank thought for a while, turning the letters about in his hands, and at last made up his mind to let the other assist him, so handed him the letter addressed to "Mr. Snapem. Concordium." They went on into town, and Frank, directing the ex-flogger turned into, a shop. Sneaking on a few minutes after, he heard enough to satisfy him that his surmise a [a line of text missing] correct, and he left.

 On his return to the station, he was asked by the squatter if he had received any reply to the letter. "Oh, yes," answered he : "a feeling reply, that I am likely to remember." While having tea he appeared in such excellent hu- mour that one of his mates asked the cause. "Oh, nothing much," said Frank, "only circumstances to-day enabled me to pay a debt that I have owed for some years: and I am glad about it."
-------------------------------------------

The Sydney Stock and Station Journal Tuesday 22 April 1902 p. 2.

 ANSWERS TO CORRESPONDENTS. 

 By 'Morrigang.' (It is not always possible to answer com munications under this heading in the issue following receipt, and sometimes several issues appear before we are able to do so.) ...

[The following is a response to Socius' piece above and supplies fragmentsof  'Morton Bay' the convict ballad attributed to MacNamara.]

Socius.—I liked that sketch a lot. I've often heard one of the "old hands" in that district singing convict songs, and possibly the man you mention was responsible for their composition. 

I remember one ran something like this— 

"Seven long years I was beastly treated, 
And sorrow-pressed under Logan's yoke, 
 Until kind Providence saw my affliction, 
And dealt the tyrant the fatal stroke.' 

Then there was something about the blow being delivered by blacks in ambush. Another verse was in this strain— 

"Fellow-prisoners, don't be accelerated, 
Your former sufferings don't bear in mind, 
For when from bondage you're liberated, 
You leave those tyrants far behind."

-------------------------------------------


The Sydney Stock and Station Journal Tuesday 27 May 1902 p. 3.

'PAYING A DEBT.'

A correspondent writes ; — "I read 'Paying a Debt' in your issue of the 18th ult. I remember 'Frank the Poet' well. He was a strange old card! When the Young Ireland Party, to which William Smith O'Brien was attached, flourished, transportation to N.S.W. had stopped. The 'Party' had its day in 1848; so Frank was sent out long before that time. The story about 'Make it hours instead of days' happened in Sydney.

Frank was 'lumbered' just on Christmas Eve, so he would be out of all the good things if then 'sent up'; and he was before Captain Innes, at the old 'Central' in George-street, when he 'ran off' the couplet. Captain Innes was the P.M., and father of the late Sir George Innes.

"Frank had a great down on a 'push' in Sydney known as the 'Cabbage-tree Mob,' their symbol being the wearing of a cabbage-tree hat. Well, on one occasion they bailed up poor Frank, and asked him what he had to say that they should not inflict condign punishment on him. 'Well, boys,' he said,

" 'Here's three cheers for the Cabbage-tree Mob–
Too lazy to work; too frightened to rob.'

They made for Frank, but just then came along a policeman known as the 'Native Dog'; so Frank escaped that time. About the last of the 'Cabbage-tree Mob' lived for many years next door to Cunninghame's printing office, in Pitt-street. He was a farrier, and a good one. Some of the old Sydney 'hands' would remember him well. But the old hands are few and far between now !"


Notes by Mark Gregory

More information about Frank the Poet keeps turning up as more and more newspapers are digitised by the National Library of Australia. The one above are a good example from 1902 some 40 years after the poet died. Some of the details may be wrong as in the case of Captain Logan who died in 1830 twelve years before MacNamara arrived in Botany Bay. William Smith O’Brien on the of the Irish independence movement Young Ireland, arrived in Van Diemen’s Land on a prison ship on 20th July 1849, the same year that MacNamara received his certificate of freedom.

What is clear from the newspapers is that public interest in the convict poet and his works remained undiminished for generations. Stories of his relentless battles with authorities, often as a leader in protests, only reinforce his reputation as the legendary sworn enemy of tyranny. His fame continues to grow today, in Ireland as well as Australia.

Travellers Welcome

South Australian Weekly Chronicle Saturday 24 December 1881 p. 2S.
TOM LISTER'S LUCK ; A STORY OF TWO CHRISTMAS EVES.
BY "SCRIB"

... "But what I was goin' to tell you of was the very same squatter as Dan Morgan made dance on the table. He kept the board up 'Travellers welcome,' till he got the news of Dan being shot at Peachalba, and then—but there, boys, you've all heard of Frank the poet ?" Most of them had, but a juvenile member of the fraternity of bush loafers who was in ignorance, stated the fact, and begged to be enlightened.

"Well, he was a sort of chap as used to go about from station to station, writin' letters home, and verses to their girls, and other things for the station hands," was the reply. " I did hear say that he was a brother of the chap as wrote " Black-Eyed Susan," and that he was printer. He was found dead in a turnip-field near Bullarook over on the Victoria side, near Ballarat. Howsomever Frank the Poet got hold of the yarn, and he wrote some verses about it that sounds much better than I could tell you. So if you don't mind, I'll just sing 'em."

Even the potential Mr. Jackson signified his approval of this proceeding, and by way of marking his appreciation of Jemmy's narrative walked to his bunk, and produced from the head thereof a bottle of " pain-killer." From this, he poured a few drops into a pannican, added some cold tea, and handed it to Jemmy, who drank it with as grateful an appreciation as though it had been Krug or Roederer.
"Well, here goes," said Jemmy, bursting in median res : —

A squatter he stood at his garden gate,
The sun was down, and 'twas getting late ;
On a board near the fence was written clear
"Travellers are welcome here."  

"Now you can put in any chorus you like, boys; give it mouth, and make the 'possums jump !" In response to which each man sang his favorite burden in the style known an a Dutch medley, and rewarded the soloist with unlimited applause when their lungs gave out. Bandy Jemmy looked round in gratified approval, and continued—

Then he called to his super, Squinting Joe,
And said, "That horrible board down throw ;
While Morgan lived I kept it there,
But now he's dead not a rap I care."

Just then there over the plain did drag
A traveller, painfully humping his swag,
Who said, "I straight for your run did steer.
For travellers all are welcome here !"

"Go, go, you scoundrel !" the squatter cried,
"No more my patience shall now be tried ;
The ruffian Morgan is dead, so clear,
No longer your tribe is welcome here !''  

Then the swagman took from his blankets red
A box of matches, and thus be said—  
Though poor Dan Morgan lies dead in his track,  
He's left two mates named Bell & Black.  

"You can mark their brand at night in the sky,
As the red flame runs when the wind is high,
And still as it travels its work you read—
A squatter lamenting his burnt-up feed !"

"Stay, stay, my good fellow, 'tis only chaff"—
The squatter said, "just to have a laugh ;
Go up to the cook and he'll see you right ;
And of course you can sleep in the hut to-night !'

Now all you squatters attention pay,  
And mark the meaning of what I say ;
Don't bully a swagman, or, to your grief
You'll find grass scarcer than mutton or beef !  

The applause attendant on this delectable ditty was loud and prolonged. Mr. Bill Jackson rewarded the vocalist with another nobbler of "painkiller." The murmur of admiration had not subsided when a faint "Coo-ee" was heard from the river, on the banks of which the rouseabout's hut was situated...

A Tour of the lower regions

Launceston Examiner Saturday 14 January 1893 p. 3.
(FROM OUR OWN CORRESPONDENT.)

Our Hobart Letter

Many old hands here will remember "Frank, the poet." Frank was a curiosity in his way, and was possessed of considerable poetical talent. One could not classify him with Adam Lindsay Gordon,
but still he turned out some rhymes which, if altogether rude, showed talent which might have developed under better educational auspices than Frank in his earlier days moved under. The last I heard of Frank was that the reaper with his sickle keen had reached him, but in a general rummage made amongst some old papers I discovered one of his effusions, entitled "A tour to the lower regions."
The poem, if one can call it a poem, is a skit on the early prison days of the colony, and in parts is literally sarcastic whilst not altogether devoid of humour. I quote the end of the last stanza, which reads thus:

And many saints from foreign lands
With Frank the poet all shook hands,
And began to sing and praise his name,
But at last I woke—'twas all a dream.

Notes

This article is a good example the way fragments of MacNamara's work can still be discovered in old colonial newspapers (in this case 1 April 2013). "Our Own Correspondent" in the Launcestion Examiner remembers the poet for some reason and appears to have a copy of "A Convict's Tour to Hell" amongst his archives which having no title he names "A tour to the lower regions."

What he says about the poet is tainted with his own understanding of what proper poetry should be, however this fragment added to all the others we have provides important evidence of the survival of MacNamara's verse in Tasmania. Indeed, the correspondent admits this in his opening sentence - Many old hands here will remember "Frank, the poet."

The Day I Will Be Free

Bunyip (Gawler, SA) Saturday 7 October 1865 p. 4.
ON FREEDOM.
TO THE EDITOR OF THE BUNYIP.

Sir.— In the year 1835 an individual, whose name I will not mention, but who was designated as "Frank, the Poet," appeared at the Police Court in Sydney ; and being a most incorrigible offender—having, by various sentences, accumulated enough punishment. to last the lives of three men—he was thus addressed by the presiding magistrate :—

MAGISTRATE—When do you think you will obtain your freedom ? You are constantly appearing here and receiving additional sentences.
FRANK—That I can easily answer, your  Worship.
MAGISTRATE—I rather think it will be a most difficult matter for you to do, as it is almost beyond calculation.
FRANK—Not so, your Worship; for if you will allow me I will tell you.
MAGISTRATE— Well, when ?

Frank's statement was as follows, and only now sees the light for the first time :—

When Sydney town, of high renown.
Goes to the Windsor races ;
When the Surrey hills, and Barker's mills,
Do visibly change places.
When New South Wales is blessed by God—
Which I think will never be—
And branches new grace Aaron's rod,
That day I will be free.

When Rossi-Bowman, and such men,
Show to poor convicts justice ;
And when the world is taxed again
By Caesar, famed Augustus ;
When David's bear and Balaam's ass
Dine with King Solomon's bee ;
And when Lord Farnham goes to mass—
That day I will be free.

When horses all wear Hessian boots,
And mountains are brought low ;
When bullocks play on German flutes,
And lilies cease to blow.
When geese like Presbyterians preach,
And truth is proved a libel ;
When heaven is within our reach,
And Deists love the Bible.

When Britain's isle goes to the Nile,
Or visits Londonderry ;
And the Hill of Howth goes to the South,
Or to the County Kerry ;
When Dublin town, of good renown,
Pays a visit to the Dee ;
And when millstones on the ocean float—
That day will see me free.

Magistrate—That is about the time. Take him away for another twelve months
C. L.

Notes

John Meredith and Rex Whalan write about MacNamara's many punishments in 1835 including one 12 month sentence:
For Assaulting a constable on April 16th, the young Irishman was awarded 12 months work in irons, but this did little to quell his spirit, for exactly a month later he was flogged again. On this occasion it was 36 lashes for "refusing to work and insolence". [Frank the Poet p. 6.]

If this poem was written in 1835 it predates a very similar petition/poem in the Trimingham manuscript, "For the Company Underground", by four years. The closeness of the two compositions is remarkable and the fact that this "only now sees the light for the first time", thirty years after it was composed on the spot and four years after MacNamara's death suggests that his verse quickly spread orally rather than in print. It could have been titled On Freedom like letter to the editor, but I have chosen to echo the poem by titling it "The Day I Will Be Free". It not been cited before and has lain hidden in the Bunyip for 148 years, freed it seems by the electronic revolution.

[This article and poem was discovered and the spelling corrected by the researcher 22 March 2013]

The Poor Exile from the Shamrock Shore

One evening late, as bright Sol was declining,
Creation gilded with his last rays,
And the feathery tribes through the groves were chiming
Their warbling notes in melodious lays,
By the limpid Hunter as I was seated
No great distance from Newcastle shore,
I heard a voice that thrice repeated,
"I am a poor exile from the Shamrock shore."

My bosom flowing with fond emotion,
By nature I was prompted to rise
To participate in that sad devotion
And re-echo feebly their mournful cries.
My sunburnt shoulders displayed more lashes
Of barbarous flogging ; no shirt I wore ;
No tattooed savage displayed more gashes
Than the poor exile from the Shamrock shore.

My head is hoary, my forehead's wrinkled,
With the palsy in every joint ;
With convict's blood the ground is sprinkled.
The tyrants call it Limeburners' Point.
The servile soil that we are treading
Was trod together by our brethren's gore ;
They expired like martyrs, no torture dreading,
Says the poor exile from the Shamrock shore.

I have read in the Bible of King Herod's slaughter,
Bethelem, indeed, was a most awful sight,
And how King Pharoah in the Nile's deep water
Drowned many a true-born Israelite,
The crimsoned Isle and the raging bayonet
Are renowned in Scripture by deeds of gore ;
They were excelled by Morrison, and I'll maintain it,
And so can many from the Shamrock shore.

I have witnessed Morrison's disembarkation.
Tyranny for a time did cease,
Blood speedily gained a restoration,
And Mclntosh his venom traced.
Inhuman sights they did exhibit
As evil Morrison had done before,
The bloody triangles and the bleeding gibbet
Could not daunt the boys from the Shamrock shore

I sometimes ponder in silent sorrow
For my poor brethren's hardships—how hard they fare ;
For the cities of Sodom and great Gomorrah
To this cursed colony could not compare.
Those cities were cancelled by a conflagration,
Never to be inhabited or rebuilt any more,
This wants a similar visitation
To avenge the boys from the Shamrock shore.

You seem annoyed at my recital,
Of a poor bushranger's tale of woe.
A valiant outlaw is my real title,
Until the fatal bullet lays me low.
Through the forest echo with pistols loaded,
And girded round with the bayonets bare,
Like an Arabian Steed through the forest bounding
Goes the poor exile from the Shamrock shore.

Notes

This ballad was published in the Braidwood Dispatch in 1903 as part of an article about Jack Donohue. The article mentions "Francis McNamara better know as Frank the Poet" and attributes this ballad to him. It doesn't seem as well crafted as MacNamara's other ballads and displays little of his famous wit. It sings well with the tune(s) for "Morton Bay."

Is "evil Morrison" Major Morriset in "A Convict's Tour to Hell"?

Then Major Morriset I espied
And Captain Cluney by his side
With a fiery belt they were lashed together
As tight as soles to upper leather
Their situation was most horrid
For they were tyrants down at the Norrid

For the article see Jack Donohue - By W. Hennessey on this site.

Jack Donohue - By W. Hennessey

The Braidwood Dispatch and Mining Journal Saturday 22 August 1903 p. 2.
JACK DONOGHUE.
[BY W. HENNESSEY.]

Come, all you lads of loyalty, a sorrowful tale I’ll tell,
Concerning of a hero bold in battle lately fell;
His name it was Jack Donoghue, of courage and renown,
Who scorned to work in slavery or humble to the Crown.
                                                                     –Old Ballad.

Late in the fifties, before the thrashing machine had found its way among the settlers back in the bushland, numbers of men travelled about as winter drew near in search of a job of thrashing wheat with a flail. A notable character who followed this occupation was an old Braidwood identity, old Tom Murphy, who was found dead outside his dwelling some years back down the creek below the township of Braidwood. The price paid for thrashing wheat was one shilling per bushel. Murphy could thrash from 12 to 15 bushels daily, so that during the winter months Tom Murphy earned good wages.

Amongst the thrashers who came round yearly was an aged man named Mick Duggan, To judge from the description of the country the old man would give of what is now the city of Sydney, he must have been a very early arrival in the colony. The Crown prisoners received barbarous treatment from those in authority over them. The triangles and the floggers were in daily requisition, and shocking sights were on daily exhibition of "man's inhumanity to man." One Monday morning Duggan witnessed the execution of 24 men on Gallows Hill–16 for piracy, and eight for other offences. Among the latter bunch was a friend of Duggan's, who suffered the death penalty for stealing a yearling heifer. The men for piracy were sentenced on Friday and executed on Monday.

To give an idea of land values in those days, Duggan said he received the allotment of land which embraced within its boundaries the old market wharf near where the Pyrmont bridge crosses the harbor at the present time in exchange for a bottle of rum. Later on Duggan exchanged the allotment of land for a boat.

Among the notable characters old Mick had become acquainted with during prison life was a man named Frank McNamara, better known as "Frank the Poet." Frank was sent out for forgery, and was said to be very expert with the pen, and when in prison he wrote the Lord's Prayer on a piece of cardboard the circumference of a threepenny piece, and sent it to the Governor of the colony. The poet, like Owen Suffolk, whose dream of freedom lately appeared in print, drew inspiration from the woes of his unfortunate companions, and what he learned in suffering he sang in song. I give below a song which I often heard old Duggan sing, and which he said was composed by McNamara and distributed among the prisoners.

The story the old man told about Donoghue taking to the bush, as far as my memory serves me, was as follows:—At the time Donoghue's trouble began Duggan rented a blacksmith's shop on the roadside somewhere on the Sydney side of Picton. The trade of the shop depended on the teamsters and horsemen that daily passed the forge. Some days Duggan was flushed with work, and at other times had very little to do. Donoghue was the assigned servant of a landholder near at hand. Jack a daily occupation was to shepherd a mob of pigs on some swamp land not far from the blacksmith's shop. Every day Donoghue would spend some little time about the shop, and occasionally used the striking hammer, and was of great assistance when Duggan was tireing the heavy bullock dray wheels. When helping like this on busy days Donoghue was always rewarded with several glasses of rum.

One busy day Jack had taken more rum than was good for him, and when he arrived home at night he was five pigs short of his number, Donoghue failed to find the pigs next day, and for this neglect of duty Jack was sentenced to receive 100 lashes and to be turned back to Government. Rather than face the chain gangs, where he would be worked all the year round in irons, Jack decided to take up arms against the authorities and live a free life.

That night Donoghue escaped from custody, and some time about midnight arrived at Duggan's hut.
Jack described the dreadful flogging he had received from a left-handed flogger, and said that he intended to take to the bush and live a free life, if only a short one. Duggan had little advice or consolation to offer to his hapless friend. After drinking a couple of glasses of rum the two men parted, and the unfortunate Donoghue went out into the night to follow the pathway that led to destruction. At the time Donoghue was shot his four companions in crime–McNamara, Underwood, Webber, and Walmsley–made their escape, but all four were captured a short time afterwards and hanged for their crime.

THE POOR EXILE FROM THE SHAMROCK SHORE.

One evening late, as bright Sol was declining,
Creation gilded with his last rays,
And the feathery tribes through the groves were chiming
Their warbling notes in melodious lays,
By the limpid Hunter as I was seated
No great distance from Newcastle shore,
I heard a voice that thrice repeated,
"I am a poor exile from the Shamrock shore."

My bosom flowing with fond emotion,
By nature I was prompted to rise
To participate in that sad devotion
And re-echo feebly their mournful cries.
My sunburnt shoulders displayed more lashes
Of barbarous flogging ; no shirt I wore ;
No tattooed savage displayed mere gashes
Than the poor exile from the Shamrock shore.

My head is hoary, my forehead's wrinkled,
With-the palsy in every joint ;
With convict's blood the ground is sprinkled.  
The tyrants call it Limeburners' Point.
The servile soil that we are treading
Was trod together by our brethren's gore ;
They expired like martyrs, no torture dreading,
Says the poor exile from the Shamrock shore.

I have read in the Bible of King Herod's slaughter,
Bethelem, indeed, was a most awful sight,
And how King Pharoah in the Nile's deep water
Drowned many a true-born Israelite,
The crimsoned Isle and the raging bayonet
Are renowned in Scripture by deeds of gore ;
They were excelled by Morrison, and I'll maintain it,
And so can many from the Shamrock shore.

I have witnessed Morrison's disembarkation.
Tyranny for a time did cease,
Blood speedily gained a restoration,
And Mclntosh his venom traced.
Inhuman sights they did exhibit
As evil Morrison had done before,
The bloody triangles and the bleeding gibbet
Could not daunt the boys from the Shamrock shore

I sometimes ponder in silent sorrow
For my poor brethren's hardships–how hard they fare ;
For the cities of Sodom and great Gomorrah
To this cursed colony could not compare.
Those cities were cancelled by a conflagration,
Never to be inhabited or rebuilt any more,
This wants a similar visitation
To avenge the boys from the Shamrock shore.

You seem annoyed at my recital,
Of a poor bushranger's tale of woe.
A valiant outlaw is my real title,
Until the fatal bullet lays me low.
Through the forest echo with pistols loaded,
And girded round with the bayonets bare,
Like an Arabian Steed through the forest bounding
Goes the poor exile from the Shamrock shore.

Frank the Poet - Miscellany

On 18 June 1832, when the prison ship Eliza II was in the middle of its journey from Ireland to New South Wales, one of the ship's officers, James Gordon recorded in his log:

'Today gave MacNamara 2 dozen for bad conduct. This fellow is a sad scamp and yet far above the common herd in some respects. He has considerable abilities, has written some very palpable lines on his trial and sentence since he carne on board and has a very extensive knowledge of the Scriptures. He it appears was tried for a very slight offence but his conduct on his trial was so bad that he was transported for 7 years. He recited a mock heroic poem of his own composing in which he ridiculed judge jury and other officers of the Court that had tried him. This of course enhanced his offence and added to his punishment.'

..................

The primitive conditions and life threatening nature of mining work for convicts in Australia is described by James Tucker in his 1929 novel The Adventures of Ralph Ranleigh

'Their work was to fill the wagons with coal, drag them to the opening at the shaft's foot, and tip out the contents according to the directions of the man in charge there. They set to work immediately, and continued without rest under the blows and threats of their taskmaster until night, when each man received a small portion of boiled maize grain, a morsel of salt beef, and water. They slept naked in any part of the workings, the heat being so excessive that any clothing or covering only added to the misery of life. No bedding was provided, but those who were not too exhausted to make the effort could scrape together enough dust to make a comfortable sleeping-place. The convict miners remained underground the whole week, and on Saturday afternoons were taken to the surface to wash themselves and their clothing in sea water. When their clothes were dry they were marched to the convict barracks and confined there until Monday morning.'

Conn Flynn who worked with MacNamara in a road gang wrote:

'Oh! Those were the days when the grasses wide
Wet a horseman's feet on his morning ride.
When the mighty bullocks, their work-days past,
As rations to convicts were served at last.
And the tale is told how it chanced one day
That a smoking round came the convicts' way.

Then Frank the Poet, as large as life,
Stood and tapped the beef with his carving knife
And intoned this verse, so the tale relates
To the crowded board of his grinning mates:
'Oh! Redman, Redman how came you here?
You served the Gov'ment many a year
With blows and kicks and with much abuse
And now you are here for convicts' use'.

Harry the Forger spoke up:
'Faith! Frank, I don't know for sure what you will be remembered most for, your verses or for that natural cross in the rocks, on top of the Devil's Pinch, where you always doff your cap when you pass and which they name Frank the Poet's Cross. '
'Must a man be remembered at all?' asked Frank.
That goes without saying: replied Harry. Tis a poor soul indeed who leaves no signature on history when he departs. Significant and permanent, if it's something great that he has done, or temporary and fading if he has merely passed that way and left no more than a track in the clay, like a straying beast. Tis not an epitaph, but his "signature on history", a symbol to keep his name in the minds of men, as long as the caprice of Fate decrees.'

..................

The convict Hugh Leonard who was at Port Arthur when MacNamara arrived there on 29 October 1842 describes the famous shingle strike:

'Everything went on well, until one morning the brig Isabella came into the bay, and I was told that it was loaded with Sydney men from Cockatoo Island. Next day they came ashore, and were put into the carrying gang. The runner, as usual, started off, but the Sydney men all kept in their ranks, and walked on steadily.

The overseer shouted for them to close up, but they took no notice of him, so that the other men were coming back for loads before they had reached the first resting place. We each had bundles of shingles to carry, and the Sydney men said, 'Now, do you think these bundles are overweight?' Some of them replied, 'Yes'. They then emptied some of the shingles out, and tied them up again, so that by the time they had done that, the other men had been into the settlement with their loads. When they got into the settlement they were marched in front of the office, and the commandant came. The loads were weighed, and found to be underweight.

The commandant then ordered the flagellators to be sent for, and the triangles; and the clerk took down all their names. Amongst the rest there was the notorious Jackey Jackey, Frank the Poet, and Jones, and Cavanagh. There were upwards of thirty pairs of cats and four flagellators, and the surgeon, a young man named Dr Benson, who kept laughing and joking, and playing with his stick as unconcerned as though he was in a ballroom. When their names were taken, every other man was called out, and received thirty-six lashes. A fresh flagellator giving every twenty lashes, and they try to see who can give it the worst.

Next morning they went on just the same. They were then ranked up, and all were flogged and sent to work again; the overseer still snapping at them and if they could have got him in the bush they would have killed him. Next day they were all brought up again, and received seven days' solitary confinement on bread and water. When they came out they did just as before and were brought up before the commandant again, and he listened to what they had to say this time, and ordered that there was to be no more running in the gang.'

..................

Marcus Clarke describes a night on the grog in Melbourne in 1868, which shows that the gift for extempore poetry was not confined to MacNamara:

'One of the men around the table, a little Irishman, with a face that would make his fortune on the stage, is a well known charader in the low public houses. He is termed the 'Poet', and gains his living by singing his own compositions in the bar rooms. At our request, he favoured us with an improvised ditty – which, despite the reckless disregard of metre and rhyme, was really clever, the personal peculiarities of the company, including ourselves, being hit off with some degree of humour. The 'Poet', however, is an unconscionable drunkard and has, moreover, done several sentences for petty thefts. Having made him temporarily grateful by the bestowal of largesse, we turned in to the next house.'

..................

Our Hobart Letter

Many old hands here will remember "Frank, the poet." Frank was a curiosity in his way, and was possessed of considerable poetical talent. One could not classify him with Adam Lindsay Gordon,
but still he turned out some rhymes which, if altogether rude, showed talent which might have developed under better educational auspices than Frank in his earlier days moved under. The last I heard of Frank was that the reaper with his sickle keen had reached him, but in a general rummage made amongst some old papers I discovered one of his effusions, entitled "A tour to the lower regions."
The poem, if one can call it a poem, is a skit on the early prison days of the colony, and in parts is literally sarcastic whilst not altogether devoid of humour. I quote the end of the last stanza, which reads thus:

And many saints from foreign lands
With Frank the poet all shook hands,
And began to sing and praise his name,
But at last I woke—'twas all a dream.


Escape Conference : Strahan, Tasmania 26-28 June 2003

"From Bondage… Liberated": Frank the Poet's Dreams of Liberty. [abstract]
Jeff Brownrigg

Frances McNamara, "Frank the Poet", remains a shadowy early colonial figure, regardless of his appearances in convict ship indents, the numerous records of his escapes, recapture and court appearances, and the consequent additional punishments. He is best remembered today as the putative author of "Morton Bay" - a poem/song that is a reverie upon escape. But the song's provenance is, at best, vague.

Some other things attributed to Frank are even less secure, though they imply that he was well known and had developed a reputation as poet soon after he arrived in Australia in 1832; he was well enough known to suffer parody.

The body of his work, gathered and annotated by John Meredith and Rex Whalan in 1979 suggest that his wild spirit never lost its distinctive tinge of Irish green and that his rebellious, unsettled spirit was of a piece with his compositions; works that carried encrypted political messages deeply steeped in Irish nationalism and a desire to escape from the overlording British.

This paper examines the poems and songs that are the supposed remnants Frank's literary output, taking issue with the usual conclusion that they sometimes hide coded messages for transported Whiteboys or ribbon men, the tattered Australian remnants of Irish rebellions. Internal evidence suggests something else and the certainties of accounts of his life and output, built in the 1970s, slip away.

Edgar Waters

Folksong making in Australia
[From The Oxford Companion to Australian Folklore edited by Gwenda Beed Davey and Graham Seal pp. 162-163]

We know very little about folk songs of the early colonial period in Australia. We have a solitary recording of a song about the 'convict times' in Tasmania: 'The Seizure of the Cyprus Brig'. There is a poem, known from a manuscript, of this title, said to have been written by the Irish convict known as Frank the Poet. The song was recorded from an old whaler named Davies in the 1960s. It makes use of bits of the text from the manuscript poem, adds an introductory verse from a broad side ballad called 'Van Diemen's Land' and sets it to one of the tunes used for that song. 'Van Diemen's Land' is about poachers transported as convicts to Tasmania. Differing texts locate the poachers in Ireland, in England, and in Scotland. The tunes often have a vaguely Irish feel about them, but of course, as Samuel P. Bayard, the American authority on the song tunes of the British Isles, put it, 'We can often reasonably infer that a given version of some widespread air is Irish or Scottish, for example, but we cannot therefore claim that the air itself was of Scots or Irish origin'. Mr Davies's version of the tune, and his singing style, both suggest English rather than Irish influence. Frank the Poet's manuscript looks Irish; Mr Davies's song sounds - to use a term that gives offence to some - decidedly Anglo-Celtic.

A squatter from the country around Goulburn in New South Wales printed, in a book of reminiscences about life in the first half of the nineteenth century, the text of a song about an English convict transported for poaching. The tune used for this text, 'Jim Jones at Botany Bay', was 'Irish Molly-O', he said; seemingly another Anglo-Celtic song.

There is a song about the hardships of convicts at the penal settlement on Moreton Bay and the spearing to death of its commandant, Captain Patrick Logan, in 1830. The bushranger Ned Kelly seems to have been quoting it in part of his rambling 'Jerilderie letter', written in 1879. It purports to be the testimony of an Irish convict, and it has been attributed to Frank the Poet: text and tune both seem to be decidedly Irish in character. The only complete version recorded from oral tradition came from a fine singer, Simon McDonald, recorded by members of the Folk Lore Society of Victoria.

There is a cluster of ballads about the young Irish convict turned bushranger, Jack Donohoe, who was shot dead by mounted police troopers (the 'horse police') in 1830. Most of them are in a street ballad style that has nothing particularly to distinguish them as Irish; but some have texts that voice Irish defiance of British tyranny: 'He'd scorn to live in slavery or be humbled to the Crown'. There is plenty of literary evidence to show that ballads about Donohoe were much sung by bush workers, Irish-Australian or otherwise. From Donohoe, shot in 1830, to Ned Kelly, hanged in a Melbourne gaol in 1880, many of the notable bushrangers were Irish or Irish-Australian. (Those who like to think that Australians are a rebellious lot, and like to attribute this to Irish influence, sometimes dwell on this circumstance. It happens that a lot of the police who fought the bushrangers were also Irish-Australian. One of the policemen who finally captured Ned Kelly was a Senior Constable Kelly.)

The bushranger ballads, not unexpectedly then, often express Irish-Australian hostility to the British crown and hence Australian colonial authority. It is worth noting explicitly that they do not express hostility to fellow-Australians descended from other ethnic groups. Joseph Cashmere, a bush worker who had spent most of his working life in the south-western corner of New South Wales, told collectors in the 1950s that bushranger ballads had there been called 'treason songs'; a term once used in Ireland for anti-British songs. A policeman had once been offended when one of Cashmere's friends sang 'The Wild Colonial Boy', and locked up the singer for the night. But Cashmere did not suggest that a liking for bushranger ballads was in any way confined to Irish-Australians.

There is evidence aplenty to show that the attitudes to the bushrangers -- and the singing of bushranger ballads -- were determined by social class rather than ethnic origin. Bob Michel collected a version of 'Bold Jack Donohoe' from a singer in Queensland, who had learnt it from his brother. His brother had enrolled as a special policeman during the shearers' strike of 1891, and had gradually been won over to the shearers' side. He had learnt 'Bold Jack Donohoe' from some of the shearers. They sang it as an anthem of defiance, but no longer of Irish defiance of the British crown and its colonial representatives. Now the song was used to voice the feelings of a militant Australian working-class group and its defiance of home-grown squatters and the elected government of Queensland.

Thomas Whitley manuscript ca. 1891

Thomas Whitley manuscript Courtesy State Library of NSW 
"Frank the Poet". Frank McNamara was a native of Dublin,
and a tailor by trade. He enlisted into the East India Service,
but commented himself and was transported like so many more
to New South Wales. Here he became a popular rhymester,
but repeating his old failings was again sentenced to Van D.
Land, and in due course was sent to Port Arthur. While at
this penal settlement Frank became a great favourite
with bond and free, always escaping punishment by
his ready wit and improvisation, or extemporaneousness.
Frank was a Roman Catholic, of a strange type, but he
made fun of all religions, particularly the orthodox sort.
At a station in N.S.Wales where the priest called quarterly
some untoward circumstance detained his reverence and
Frank was detailed to officiate for the absent clergyman. The lay-
reader (Frank) was so entertaining on this occasion, that some of
the officers interviewed him, and extracted a promise that Frank
would furnish them with a spice of his poetry on the
creed he proposed, and being strongly imbued with the
ideas of convictism, naturally Frank wrote in that strain.
Years lang syne, Frank's emanations are well known
and repeated by thousands all over New South Wales and
Van Diemen's Land, Norfolk Island included. Thus wise –

Notes

This extract come from Thomas Whitley, antiquarian and collector and first publisher of 'A Convict's Tour to Hell', in his transcriptions of poems by Francis MacNamara, ca. 1891. The poet was "a great favourite with bond and free, always escaping punishment by his ready wit and improvisation, or extemporaneousness." He made "fun of all religions, particularly the orthodox sort" and was sometimes  called upon to officiate at religious ceremony impressing even officers with his humour. In convict Australia his compositions were "well known and repeated by thousands all over New South Wales and Van Diemen's Land, Norfolk Island included." See also Bathurst Free Press report of 1862.

Bill Wannan: Cyprus Brig

CONVICT PIRATES MADE ONE SIMPLE MISTAKE SO . . . THEY SAILED TO PRISON
BILL WANNAN'S COLONIAL CAVALCADE

The convicts stole up behind the unwary soldiers and quickly disarmed them
The Argus Saturday 14 July 1956 p.10
http://trove.nla.gov.au/ndp/del/article/71645913

A SONG, very popular among the convicts of Van Diemen's Land in the early 1830's, and passed on by word of mouth to every chain gang on the island, told of the daring seizure of the brig Cyprus at Recherche Bay. Written by a prisoner known as Frank the Poet, the song ended with the rousing chorus:

Then sound your golden trumpets,
play on your tuneful notes
The Cyprus Brig is sailing,
how proudly now she floats.
May fortune help the noble lads,
and keep them ever free
From Gags, and Cats, and Chains, and Traps, and Cruel Tyranny.

In August, 1829, the Cyprus left Hobart Town with a party of 31 convicts, bound for Macquarie Harbor. Ten soldiers, commanded by a Lieutenant Carew, guarded the prisoners night and day. They were all looked on as "incor rigibles," and were being sent to "Hell's Gates," as Macquarie Harbor was called, for the term of their natural lives.

On August 9 the vessel put in to Recherche Bay to shelter from the wintry gales blowing up from the Southern Ocean. The prisoners, chained in groups of four on the lower deck, whispered among themselves. Two of their number had already tasted the appalling wretchedness of life at "Hell's Gates." They said death would be better than the fate that lay in store for them there.

A former seaman, Bill Swallow, said he knew how to navigate the ship. If he and his mates could capture her he'd have no difficulty in setting her course for China, or any other country they might choose. But what chance did. chained men have of seizing a vessel?

MUTINY!

THE opportunity came sooner than anyone had expected. Seven of the convicts were taken up on deck for exercise. Among them were two who had most consistently talked of escape, Ferguson and Walker. They saw at a glance the deck was guarded by only two soldiers, who at that moment were leaning over the rails, muskets carelessly held, looking at something in the water below.

There was immediate agreement the time had come to strike. In a flash the guards were over powered. Before a signal could be given, the mutineers battened down the hatchway leading to the deck where the other soldiers and a number of passengers were at tea. Irons were soon removed from each convict, and the ship was in their power.

Next morning the Cyprus sailed down the bay. Thirteen of the convicts did not want to stay on her, so were put ashore, along with the passengers — 45 men, women, and children. Bill Swallow took over the navigation of the vessel, setting her course for the Friendly Islands Mutiny! (Tonga Group). When they arrived there seven men deserted. Two of these we're subsequently captured and returned to Hobart Town, where one was hanged and the other condemned to Norfolk Island.

The Cyprus next headed up into the China Seas, its company depleted by several more desertions. One day as they were moving towards the China coast they came abreast a derelict craft, the Edward. Some of the men boarded her, and among the articles left in her cabin was a sextant bearing the engraved name of the captain, William Waldron.

It occurred to Bill Swallow the Edward might be the means of throwing off all suspicion as to their true identity. They would abandon the Cyprus and land not far from Canton.

They would pose as survivors of the wrecked Edward, and they would have the ship's sextant to prove it. The men agreed to the plan, and divided into two groups. One, led by Swallow, came to Canton, where Swallow, introducing himself to the British Committee of Supercargoes as Captain Waldron, told a pitiful story of wreck and privation.

The committee arranged for a free passage to England for the men; but before they had time to leave, other members of the Cyprus company arrived at Canton, and they, too, were taken before the British committee.

They told substantially the same tale as their mates, but said that the name of the Edward's captain was James Wilson.

Doubts were at once aroused. The eight men were taken into custody and sent to the police authorities in London.

Brought before magistrates at the Thames street police office, the men pleaded their story was in most details correct. There seemed to be no evidence to warrant their detention. They were on the point of being freed when the clerk of Court happened to remember a curious story told by an ex-convict, Popjoy, who had been brought before the Bench to answer a charge of begging around the London docks.

This man Popjoy had pleaded, as evidence of good character, that he was one of a party of men, women, and children landed in Recherche Bay by mutinous prisoners of the brig Cyprus, many months earlier.

The clerk of Court suggested there was a possibility that the men now before the magistrates might be some of the Cyprus mutineers.

At that time a Mr. Capon, the Hobart Town gaoler, was on a visit to London. He soon identified several of the convicts, and they were taken before the Court of Admiralty for punishment.

Two men, Watts and Davis, were hanged in London. One was freed from lack of evidence. The remainder were taken back to Hobart Town to stand trial for piracy.

Notes

See:

Seizure of the "Cyprus Brig" in Recherche Bay (c1842)
See also Cyprus Brig sighting: Sydney Gazette (1829)

Listen to Jack Davies sing the Cyprus Brig from a 1961 field recording
John Popjoy and the Cyprus Brig (1830)



Days of Crime and Years of Suffering


DAYS OF CRIME AND YEARS OF SUFFERING AN AUTOBIOGRAPHY,
Reprinted from "The Australasian" of 1867 by special permission)
CHAPTER XLL (CONTINUED)

... Hefferan, the prisoner in the next cell to me on my right, one day, asked me if I knew a man called Frank the Poet. I told him I had often heard of him, but that I had never seen him. He said that Frank was the fellow to "show 'em up" in poetry, and he begged of me to compose something for him about the other penal officials without any other dictionary words in it. "Just put John down below along with a lot of parsons and judges and them there sort of swells," said Hefferan.

In a foolish moment I consented to do this, and I put together a lot of doggrel, which I repeated aloud a few lines at a time for Hefferan to commit to memory as I composed it.
The prisoner in the opposite cell could hear as well as Hefferan, and with the tooth of a comb he scratched the lines down upon the margin of a Bible. After he had got the whole of the rhymed rubbish (very often the unrhymed) he sent for the superintendent, and obtained from him privately pen, ink, and paper for the purpose of writing it out, to show, the inspector-general.
On that gentleman visiting, the doggrel was handed to him, and he came to my cell with it in his hand. He read aloud to the the part which referred to himself, and he then asked me if I avowed the authorship. I knew it was useless to deny it, and so I admitted that I had put it together for amusement. "Well," he said, "as some of the rhymes are very bad, you can amuse yourself for the next five years in improving them, for you can take my word that you will not get out until the expiration of your sentence of ten years."
I asked him if he intended to prohibit men writing to a friend for the purpose of trying the legality of my detention by a writ of habeas, and he very cooly replied, "You'll write nothing but rhymes here."...

Notes

This description of the way poetry was composed by convicts (in this case aboard the President Hulk) and memorised as well as the reference to Frank the Poet suggests a number of observations:
  • The serialisation of this autobiography, by Owen Suffolk, in The Australasian (1867) and its reprinting in The Gippsland Times (1898).
  • The importance of Frank the Poet with his "show 'em up" kind of verse, and his use of the vernacular "without any other dictionary words".
  • The currency of his epic poem The Convict's Tour To Hell as in imagining the penal officials "down below along with a lot of parsons and judges and them there sort of swells".
  • The oral nature of the composition and memorisation of the work.
  • The danger of it being written down for use as evidence against the prisoner.
  • The inevitable punishment inflicted.
Owen Suffolk began his autobiography, Days of crime and years of suffering, in his cell on a prison hulk moored off Williamstown (Melbourne) in Hobson's Bay in 1858. The book describes his expereriences as a convict transported to Australia from Victorian England for a series of petty crimes.

A rarity among convicts, Suffolk was middle-class, literate and well-spoken. His autobiography, an impressive document of the Victorian era, caused a sensation when published in newspaper serial form in 1867.

Suffolk's autobiography is available in a new edition edited and introduced by David Dunstone:
Owen Suffolk's Days of Crime and Years of Suffering, Australian Scholarly Publishing, Kew, 2000
ISBN 1875606580

Both Suffolk and Heffernan are mentioned in a pamphlet describing the Famous Convict Ship "Success" which was exhibited in the "World's Ports Since 1890"
[ see http://www.slv.vic.gov.au/vicpamphlets/inter/631212.shtml ]

10. OWEN SUFFOLK.–"The Prison Poet of Australia." Was a native of London. Transported to Van Dieman's Land for opening a money letter. Received three years in Victoria for sticking up the mail coach running between Melbourne and Geelong. Having served his time, he started forgery, for which he served 17 years. He was eventually taken on board the "Success," and never allowed ashore. When he became free he wrote an essay entitled "Days of Crime and Years of Sufferance," for which he received the prize of £100. His efforts at verse gained him the title of the "Prison Poet of Australia," and examples of his poetry can be read by visitors on board. He afterwards went to London, where he married a widow lady with an only daughter, and one day he arranged with them for an outing on the water in a small skiff. Whilst on their way home he threw mother and daughter into the Thames. He was followed by a boatman who had witnessed the whole affair, and from his evidence he was sentenced to 14 years' imprisonment. The essay he wrote contained a unique and graphic description of the early days of Victorian criminality.

37. JOHN HEFFERNAN.–Transported for a political offence from Kilkenny, Ireland, in the old transport ship the "Tory." As the vessel was leaving, his mother came on board and slipped a gold ring upon his finger as a keepsake, and in the excitement and confusion she dropped dead upon the quay. Out of respect for that incident he was always allowed, as a prisoner, to wear the ring that he came by in that way. As an escaped convict from Van Dieman's Land he crossed to the Victorian goldfields, and robbing a gold escort, received 10 years on board this prison hulk, then moored in Hobson Bay.